“Younus’ dialogue becomes a little flowery at times in ‘I’ve Seen All I Need to See,’ though the filmmaker stays consistent with his overall balance and spiritual themes, much like he does in ‘The Buildout.'”
“There’s plenty of heart to be found within ‘Another End,’ but the clunky handling of a climactic twist sadly feels emotionally and philosophically empty.”
“‘Gavagai’ doesn’t break any new ground with its excavation of race in film and European art culture’s relationship to Africa, but Köhler interestingly addresses paradoxical problems within.”
“‘Other’ may not be the sharpest or most original take on childhood abuse, but there’s more than enough to keep viewers invested until the devastating denouement — especially if you’re a parent.”
“‘A Private Life’ ultimately becomes lethargic and then putters out. Foster dangles in the midst of it, like an actress who sees the film set disappear while she’s still in her role.”