‘Deep Blue Sea’ Is Still the Biggest, Baddest Shark Movie Since ‘Jaws’
“Unlike its modern genre contemporaries, ‘Deep Blue Sea’ takes itself seriously, creating genuine fear and tension from the characters’ perilous situation.”
“Unlike its modern genre contemporaries, ‘Deep Blue Sea’ takes itself seriously, creating genuine fear and tension from the characters’ perilous situation.”
“With flexible, transparent cinematography by Charles Libin, the film captures, beat by beat, moment by moment, José’s actions and movements as he bikes, makes deliveries and encounters his boss, friends and customers.”
“In between Ford’s wide shots and Scorsese’s close-ups, there is an effort by each filmmaker to make faith real.”
“Portman’s vivid portrayal is the film’s greatest strength, coasting through woebegone New England accents and the script’s on-the-nose airing of themes in the final act.”
Justine A. Smith interviews the director and star of ‘Beauties of the Night.’
“Tatiana Huezo and cinematographer Ernesto Pardo have struck a balance between natural beauty and human squalor in a way that mirrors how Mexican citizens have had to live with the ever-present possibility of life-ending terror.”
“Perhaps he is finding a way to explore the realm of the fantastic in a new way, a more honest way. Honest, but even more horrifying.”