‘Deep Blue Sea’ Is Still the Biggest, Baddest Shark Movie Since ‘Jaws’
“Unlike its modern genre contemporaries, ‘Deep Blue Sea’ takes itself seriously, creating genuine fear and tension from the characters’ perilous situation.”
Jim McKay’s ‘En el Séptimo Día’: An Immigrant Fairy Tale
“With flexible, transparent cinematography by Charles Libin, the film captures, beat by beat, moment by moment, José’s actions and movements as he bikes, makes deliveries and encounters his boss, friends and customers.”
Small Tokens of Faith in John Ford’s ‘The Fugitive’ and Martin Scorsese’s ‘Silence’
“In between Ford’s wide shots and Scorsese’s close-ups, there is an effort by each filmmaker to make faith real.”
Los Cabos IFF Review: Pablo Larraín’s ‘Jackie’
“Portman’s vivid portrayal is the film’s greatest strength, coasting through woebegone New England accents and the script’s on-the-nose airing of themes in the final act.”
TIFF 2016: Interview with Director María José Cuevas and Olga Breeskin (‘Beauties of the Night’)
Justine A. Smith interviews the director and star of ‘Beauties of the Night.’
Sheffield Doc/Fest Review: Tatiana Huezo’s ‘Tempestad’
“Tatiana Huezo and cinematographer Ernesto Pardo have struck a balance between natural beauty and human squalor in a way that mirrors how Mexican citizens have had to live with the ever-present possibility of life-ending terror.”
Devil in the Details: On Guillermo del Toro and ‘Crimson Peak’
“Perhaps he is finding a way to explore the realm of the fantastic in a new way, a more honest way. Honest, but even more horrifying.”