TIFF Review: Mélanie Laurent’s ‘The Mad Women’s Ball’
“‘The Mad Women’s Ball’ is a squandered opportunity when considering the richness of both the source material and the many stories encapsulated within the asylum walls.”
Q.V. Hough’s Top 10 Films of 2015
Q.V. Hough (@qvhough) is a freelance writer and founder/editor of Vague Visages. He graduated from Concordia College (Moorhead, MN) in 2004 with bachelor degrees in Communication-Mass Media and History, and from 2006 to 2012, Q.V. (Quinn) lived in Hollywood, California. He now resides in Fargo, North Dakota.
Whoa, That Final Shot: Mélanie Laurent’s ‘Respire’
“With all due respect to acclaimed modern horror films like The Conjuring and The Babadook, it’s been awhile since a film legitimately freaked my out; one single shot to completely frazzle me like that demon-baby crawling out of a television in The Ring.”
