There’s No One Driving the Car: ‘Hustlers’ as Neo-Noir
“From the moment Ramona first appears, ‘Hustlers’ announces itself as a new addition to the neo-noir cannon — a film about bright lights in dark places.”
“From the moment Ramona first appears, ‘Hustlers’ announces itself as a new addition to the neo-noir cannon — a film about bright lights in dark places.”
“Shaping the narrative around the complexities of female friendship and the pressures wrought by the financial crisis of 2008, Scafaria convincingly paints a psychologically resonant portrait that allows the viewer a seat on the inside looking out…”