Losses Made in Heaven: Martin Scorsese’s ‘The Wolf of Wall Street’ and ‘Casino’
“In Scorsese’s inversion of the downfall, paradise isn’t the origin and its loss doesn’t mean moral decrepitude, only mediocrity.”
Review: Martin Scorsese’s ‘Silence’
“For all its violence and grandiosity, it stands as an impressively filmed indictment against religious persecution.”
Toxic Masculinity and Empathetic Comedy: Martin Scorsese’s ‘Alice Doesn’t Live Here Anymore’
“The cumulative effect of ‘Alice Doesn’t Live Here Anymore’ is one of openness and warmth.”
The Way of the Future: The Connections Between Martin Scorsese’s ‘Raging Bull’ and ‘The Aviator’
“With ‘Raging Bull’ and ‘The Aviator,’ Martin Scorsese perfects a configuration of the biopic as self-recognized fiction.”
Martin Scorsese’s ‘Alice Doesn’t Live Here Anymore’ and Why His Female Protagonist Matters
“For a legendary director known more for gangsters, hookers, and tough guys, Alice Doesn’t Live Here Anymore stands as a remarkable chapter in the Scorsese canon.”
Vague Visages’ Q.V. Hough and Max Bledstein Discuss ‘Narcos’
A Conversation about Netflix’s Polarizing Series