Could Jordan Peele’s ‘Get Out’ Break Horror’s Dry Spell at the Oscars?
“Art is a product of its time; is it Get Out’s fault that the time mostly resembles a horror production?”
‘It Comes at Night’ and the Trouble with Horror Movies That Don’t Fit Into a Genre-Specific Box
“The genius of ‘It Comes at Night’ is that its monsters are, for the most part, human.”