We Are Our Media: ‘Assassination Nation’ and Pop Art Society
“Part of me expects something as grandiose as ‘Assassination Nation’ to happen in real life, and that’s what’s especially terrifying.”
‘Les diaboliques’ and the Beginnings of the Erotic Thriller
“One of the most compelling things about ‘Les Diaboliques’ and its cinematic offspring is that viewers are always left with the sense that there are secrets untold, questions unanswered.”
Vague Visages Is FilmStruck: Jeremy Carr on Henri-Georges Clouzot’s ‘The Wages of Fear’
“Within the shell of its high-concept premise, Henri-Georges Clouzot’s ‘The Wages of Fear’ develops into a harrowing depiction of humanity in crisis; economic, political and cultural crisis.”
Dudley’s World: The Painstaking Anxiety of Henri-Georges Clouzot’s ‘The Wages of Fear’
A Column by Jordan Brooks