“‘Call Me by Your Name’ skips through time like a dream, or a calcified, powerful memory.”
“‘Ex Machina’ is not a projection of A.I. fear, but more of a preliminary intervention on the organized process of fearing and hating women.”
“What is awkward about these reviews is how they oppose the film’s best qualities to its generic roots.”
Jordan Brooks (@viewtoaqueue) is an increasingly-snobby cinefile based out of London, England. As a contributor to several online publications, including his own blog, he has succeeded in fulfilling his life long dream of imposing strong opinions on others.
“A commanding first directorial effort from Alex Garland, Ex Machina is the product of a perfectly-tuned collaborative endeavor, much like the mind of its artificial centerpiece.”