Review: Luca Guadagnino’s ‘Call Me by Your Name’
“‘Call Me by Your Name’ skips through time like a dream, or a calcified, powerful memory.”
The Original Sin in ‘Ex Machina’: Ava Is the Origin
“‘Ex Machina’ is not a projection of A.I. fear, but more of a preliminary intervention on the organized process of fearing and hating women.”
Jordan Brooks’ Top 10 Feature Films and Top 5 Documentaries of 2015
Jordan Brooks (@viewtoaqueue) is an increasingly-snobby cinefile based out of London, England. As a contributor to several online publications, including his own blog, he has succeeded in fulfilling his life long dream of imposing strong opinions on others.
Review: Alex Garland’s ‘Ex Machina’
“A commanding first directorial effort from Alex Garland, Ex Machina is the product of a perfectly-tuned collaborative endeavor, much like the mind of its artificial centerpiece.”