Could Jordan Peele’s ‘Get Out’ Break Horror’s Dry Spell at the Oscars?
“Art is a product of its time; is it Get Out’s fault that the time mostly resembles a horror production?”
Review: Joachim Trier’s ‘Thelma’
“It’s an odd little film, more melancholy and plaintive than outright scary or troubling, that slowly crawls under your skin.”
The Sadness of Desert Trolls: On Robert Altman’s ‘3 Women’
“Altman balances searing interpersonal conflicts with a visual rhythm that’s downright whimsical.”