“‘Porto’ aims for atmosphere but merely achieves it with convention.”
Marshall Shaffer on Fantastic Fest 2016
What would the world of animation be like if Yoshifumi Kondō had lived to make another film?
“The Bride Wore Black has a rather deft sense of humor that raises it above many of the other brightly-lit neo-noirs of the 1960s. The irony does not come from the film’s anti-style, but rather in the brazen reversal of gender roles and Moreau’s deadpan delivery.”
Q.V. Hough’s Top 10 Films of 2014
Q.V. Hough Lists His Favorites for the January 11 Show