Cinemania Film Festival Review: Pawel Pawlikowski’s ‘Cold War’
“As in ‘Ida,’ Pawlikowski offers little exposition, which leaves the audience to gather any and all clues.”
“As in ‘Ida,’ Pawlikowski offers little exposition, which leaves the audience to gather any and all clues.”
“Dario Argento’s ‘Suspiria’ contorts the abjection of horror through a kaleidoscope of popping color.”
“A swirling, tumbling vision of Cold War paranoia and coven politics, ‘Suspiria’ will both astound and baffle; the conflict that defines its muted streets, full of uneasy dreams and restless feet, will come to bear on its audience and their nightmares.”
“Kiki is not the documentary that will prompt mass change or acceptance of fringe LGBTQ culture, but it doesn’t have to be.”
“Kate Plays Christine finds itself at the at intersection of reality and performance art, but no matter how fabricated the precursor, the emotional core remains intact and exceptionally powerful.”
“Like a drunken boxer shoving people outside of a nightclub, Gibney’s loud mouth is supported by his ability to knock you out.”
“Profoundly funny, shocking, sad and ultimately inspiring, Spike Lee’s Chi-Raq is the rude awakening that America needs to get its shit together.”
“Thiaw’s control of frenetic, vibrant energy dictates every frame of The Revolution Won’t Be Televised.”
“An overlong melodramatic exercise in aridity, Alone in Berlin fails as a testament to the efforts of the Quangels and fails to tell a cohesive, engaging story.”
“Midnight Special has an emotional core compelling enough to draw in massive crowds of cinemagoers, a sci-fi grandeur showy enough to pull in the Marvel/DC crowd (is there a still a DC crowd?), and a visual acuity worthy of the interest of even the most hardened cinephiles.”
“Building on the impressive groundwork laid by Season One, the first half of the new season provides a closer look at the trials and tribulations of the Pfefferman clan and also zooms out, giving Transparent both an emotional claustrophobia and a wide canvas.”