Weird Worlds: The Short Films of Ari Aster
“Aster’s short films are at present the best representation of his eclectic taste and elastic interests.”
“Aster’s short films are at present the best representation of his eclectic taste and elastic interests.”
“If ‘Everything Everywhere All at Once’ and ‘The Fabelmans’ were one film, complete with the excesses of both yet without the charm, that movie would be ‘Beau Is Afraid.'”
“‘Midsommar’ is all steak, no sizzle, and no real lessons are learned other than, maybe, ‘Screw your mansplaining boyfriend.’”
“Both characters are lazy, ugly sketches of deviancy, leaning on ableist and transphobic stereotypes in the place of characterisation.”
“What’s truly terrifying about ‘Hereditary’ is how empty it really is.”