‘Mary and the Witch’s Flower’ Is Chock-Full of Studio Ghibli Fairy Dust
“While it doesn’t pop with philosophical resonance like Ghibli pictures, it has enough fairy dust in its sleeves to keep you transfixed and rooting for the heroine.”
“While it doesn’t pop with philosophical resonance like Ghibli pictures, it has enough fairy dust in its sleeves to keep you transfixed and rooting for the heroine.”
“‘The Breadwinner’ is a beautifully-constructed yet grueling story of female bravery that feels both timeless and timely.”
“A dance of layered visuals and eye-popping patterns, ‘Coco’ is well balanced with the understated”
“As the artist who painstakingly moved her hand-cut figures frame-by-frame, Reiniger’s presence is impossible to ignore while watching her films.”
“While lush animation and detailed backdrops make Shinkai’s films visually stunning, without character depth, it’s a beauty which rings hollow.”
“The central relationship between Belle and the Beast has the unfortunate stench of Stockholm syndrome all over it.”
“As reference humor and pop song needle drops become ironic jokes in and of themselves, stories like Kubo will outlive them all by having just a bit of substance behind the gags.”
“In many ways, it’s like watching the Olympics. You may not understand every event or even grasp the differences between the best in the world or last place, but you respect the talent behind it.”
“As in many Studio Ghibli films before it, the male director is speaking directly to his male audience, pleading with them to treat the women in their lives with the respect and equality they deserve.”
“As long as those around BoJack grow more and more distant, so will his second chances.”
“Almost as if something out of a Japanese elementary school history class, Miyazaki’s last Studio Ghibli film leaves me with a great sense of numbness rather than the invigorating wonder I have come to expect from the master of anime.”
Two Drink Minimum is a Comedy-Based Column by Jacob Oller.
“Despite being under the ‘Two Drink Minimum’ banner, make no mistake: ‘BoJack Horseman’ is not a comedy.”
“Perhaps not the film for the adventurous young adult, Ponyo proves that remarkable visual inventiveness more-than makes up for candy-sweet morals and glass-fragile plot lines.”
“A careful reframing of the typical coming-of-age narrative, ‘Spirited Away’ displays a fondness those infinitely awkward years, while showing us all how important they were in making us who we are today.”
“A series of goofy images isn’t a comedy.”
“‘Princess Mononoke’ explores the gaping chasm between nature’s gentle acceptance of circumstance and humanity’s steadfast refusal to quietly accept death.”
“‘Kiki’s Delivery Service’ captures the imaginations of young viewers while imploring the older among them to let common sense go in order to enjoy the pop music and irrefutable heart.”
“As a whole, ‘Fantastic Planet’ works both as fascinating relic and singular cinematic experience, thick with psychedelic riches for the eyes and ears.”
“The extraordinary world of April and the Extraordinary World is no simple one, and it’s welcome that its worldview veers away from the simplistic.”