A Matter of Style: Yasujirō Ozu Covers ‘Christopher Robin’
Michael J. Casey Imagines ‘Christopher Robin’ in the Style of Yasujirō Ozu
‘Hotel Transylvania 3: Summer Vacation’ Is Genndy Tartakovsky’s Mania Gone Unproductively Mad
“For all the music that ‘Hotel Transylvania 3: Summer Vacation’ offers, it amounts to a one-note production.”
More Than Just Design: ‘Incredibles 2’ and Yesterday’s Tomorrow
“Clean and sleek Jet Age Futurism bleeds into every nook and cranny of ‘Incredibles 2’ — so much so that Bird seems to be saying ‘this is what we should have been doing all along.’”
Berlinale 2018 Review: Wes Anderson’s ‘Isle of Dogs’
“While messy in parts and offering more of a sprint than a narrative marathon, there is great heart and ferocious energy in this cartoonish caper.”
‘Mary and the Witch’s Flower’ Is Chock-Full of Studio Ghibli Fairy Dust
“While it doesn’t pop with philosophical resonance like Ghibli pictures, it has enough fairy dust in its sleeves to keep you transfixed and rooting for the heroine.”
Review: Nora Twomey’s ‘The Breadwinner’
“‘The Breadwinner’ is a beautifully-constructed yet grueling story of female bravery that feels both timeless and timely.”
Despite Needing Tune-Ups, Pixar’s ‘Coco’ Is a Color-Saturated Celebration of Family
“A dance of layered visuals and eye-popping patterns, ‘Coco’ is well balanced with the understated”
Vague Visages Is FilmStruck: Kate Saccone on Lotte Reiniger’s ‘The Adventures of Prince Achmed’
“As the artist who painstakingly moved her hand-cut figures frame-by-frame, Reiniger’s presence is impossible to ignore while watching her films.”
The Limits of Freedom in Makoto Shinkai’s ‘Your Name’
“While lush animation and detailed backdrops make Shinkai’s films visually stunning, without character depth, it’s a beauty which rings hollow.”
The Princess’ New Clothes: Disney’s ‘Beauty and the Beast’
“The central relationship between Belle and the Beast has the unfortunate stench of Stockholm syndrome all over it.”
Two Drink Minimum: Humor and the Influences of ‘Kubo and the Two Strings’
“As reference humor and pop song needle drops become ironic jokes in and of themselves, stories like Kubo will outlive them all by having just a bit of substance behind the gags.”
Two Drink Minimum: Greg Tiernan and Conrad Vernon’s ‘Sausage Party’
“In many ways, it’s like watching the Olympics. You may not understand every event or even grasp the differences between the best in the world or last place, but you respect the talent behind it.”
Studio Ghibli Forever: An Initiation – ‘The Tale of the Princess Kaguya’
“As in many Studio Ghibli films before it, the male director is speaking directly to his male audience, pleading with them to treat the women in their lives with the respect and equality they deserve.”
Two Drink Minimum: ‘BoJack Horseman’ Season 3 Recaps (Part 4 of 4)
“As long as those around BoJack grow more and more distant, so will his second chances.”
Studio Ghibli Forever: An Initiation – ‘The Wind Rises’
“Almost as if something out of a Japanese elementary school history class, Miyazaki’s last Studio Ghibli film leaves me with a great sense of numbness rather than the invigorating wonder I have come to expect from the master of anime.”
Two Drink Minimum: ‘BoJack Horseman’ Season 3 Recaps (Part 3 of 4)
Two Drink Minimum is a Comedy-Based Column by Jacob Oller.
Two Drink Minimum: ‘BoJack Horseman’ Season 3 Recaps (Part 1 of 4)
“Despite being under the ‘Two Drink Minimum’ banner, make no mistake: ‘BoJack Horseman’ is not a comedy.”
Studio Ghibli Forever: An Initiation – ‘Ponyo’
“Perhaps not the film for the adventurous young adult, Ponyo proves that remarkable visual inventiveness more-than makes up for candy-sweet morals and glass-fragile plot lines.”
Studio Ghibli Forever: An Initiation – ‘Spirited Away’
“A careful reframing of the typical coming-of-age narrative, ‘Spirited Away’ displays a fondness those infinitely awkward years, while showing us all how important they were in making us who we are today.”
Two Drink Minimum: ‘The Secret Life of Pets’, Looney Tunes and Animated Logic
“A series of goofy images isn’t a comedy.”