“‘Nightbitch’ is all empty message and no provocation, its few shots of a fully transformed protagonist shocking only because of how little effort was made beyond giving Adams some contact lenses…”
“The processing conversation is perhaps the most telling sequence of all, as Quell submits to The Master — the Master Projection — and acknowledges his own self-deception.”
“With great color, style and technique, Ford haunts the audience with the disappointments of our absurd world.”
Q.V. Hough Lists His Favorites for the January 11 Show