“If part of the horror genre’s mission is to elicit fear through the erosion of safety, then the endings of ‘Hereditary’ and ‘Midsommar’ are the ultimate expression of that mission.”
“There are things about ‘Rocky III’ that definitely raise eyebrows — its racial dynamics and maybe even its class politics — but ultimately it shows a fighter overcoming his opponent by reaching out to those around him and confronting the problems within.”
“Cagney’s sadistic lead in ‘White Heat,’ a searing 1949 crime drama from director Raoul Walsh, is something well past the norms of a conventional male protagonist — or antagonist, for that matter.”
“For my money, David Lowery has been as much fun to watch as any filmmaker of his generation.”
“The ‘Predator’ franchise is a repository of the fears that plague the powerful. The context changes, but the fear persists — the fear that the conqueror may one day become the conquered.”
“Yates delivers the message that our chosen professions and work environments define who we really are. One cannot successfully live a dual existence. Love requires the joining of oneself to another person as well as that person’s job.”
In the Vague Visages Writers’ Room on Slack, freelancers were asked to comment about their favorite new wave films from any international movement.
“‘Greed’ is like the gold within the soil, a gem that must be mined from its sullied context.”
A Column on Film Criticism by Justine A. Smith
“If Phoenix serves as the Michael Jordan of Inherent Vice, then Paul Thomas Anderson is Phil Jackson. Together, they run the show like nobody else can.”
