The DUFF Cast: A Vague Visages guide for every main performer and character in Ari Sandel’s 2015 movie (now streaming on Netflix).
Know the Cast: A Vague Visages guide for Tim Johnson’s 2015 DreamWorks movie ‘Home’ (now streaming on Netflix).
“Masculinity in Mann’s world is its own prison, a conundrum of duality, a question of what someone will stand for and the masks they may wear while striving for an identity.”
“In order to fully engage with horror films, it’s important to look at the monster and the world that’s being upended by that monster.”
“When looking at Tarantino’s filmography, ‘The Hateful Eight’ doesn’t hold a candle to works like ‘Pulp Fiction’ or ‘Kill Bill,’ but it’s an entertaining film nonetheless — if you don’t mind the runtime.”
Mike Thorn on 25 Years of Marilyn Manson
Neaux Reel Idea is a Vague Visages column by Bill Arceneaux, in which he explores the cinema of his native New Orleans.
His Blazing Automatics: Ilinca Calugareanu’s ‘Chuck Norris vs. Communism’ and Better Living Through Action Films
“One action hero can change the world.”
“Louder Than Bombs may be the first foray into (fully) English-language features for Norwegian director Joachim Trier and his regular screenwriting partner Eskil Vogt, but it absolutely feels like a logical progression of their impressive prior collaboration, the sombre Oslo, August 31st.”
Chilean writer Jaime Grijalba ranks the 2015 theatrical releases of his country.
Q.V. Hough (@qvhough) is a freelance writer and founder/editor of Vague Visages. He graduated from Concordia College (Moorhead, MN) in 2004 with bachelor degrees in Communication-Mass Media and History, and from 2006 to 2012, Q.V. (Quinn) lived in Hollywood, California. He now resides in Fargo, North Dakota.
Max Bledstein (@mbled210) is a Montreal-based writer, musician and world-renowned curmudgeon. He writes on all things culture for a variety of fine North American publications. His highly anticipated debut novel will write itself one of these days, he assumes.
Justine Smith (@redroomrantings) lives and writes in Montreal, Quebec. She has a bachelor’s degree in Film Studies and a passionate hunger for all kinds of cinema. Along with writing for Vague Visages, she has written for Vice Canada, Cleo: A Feminist Journal and Little White Lies Magazine.
Josh Slater-Williams (@jslaterwilliams) is a freelance writer based in England. Alongside writing for Vague Visages, he is a regular contributor to independent British magazine The Skinny and has written for Little White Lies magazine, VODzilla.co, The Film Stage, and PopOptiq.
Dylan Moses Griffin has been a cinephile for as long as he can remember. His favorite film is Taxi Driver, and he reads the works of Roger Ebert like it’s scripture. If you want, he will talk to you for 30 minutes about the chronologically weird/amazing Fast and […]
Here’s Josh Slater-Williams on four underrated gems of the past year.
Semana Internacional de Cine de Valladolid: Andreea Pătru on the recipient of the 2015 Meeting Point Audience Award.
“Office makes you wonder if more thriller-leaning filmmakers should make a foray into the musical genre. Michael Mann’s Gypsy, anyone?”
“The documentary suggests that the makers of Saturday Night Live, in all likelihood, probably don’t have contempt for their audience. It’s harder to say that’s the case for the team behind Live from New York!”