“At a certain point, and you’ll know when, the dialogue takes a dramatic turn; it’s almost as if Benson decided to use every pre-production joke centered around a most obvious plot point.”
“Surprisingly, director Stearns spends little time navigating the physical world of ‘Faults’; he takes a minimalist approach and produces a game of psychological chess.”
“‘Gurov and Anna’ toys with perceptions and ultimately gives into both cynicism and brutality. While not for the faint of heart, Ouellet’s film offers a pointed portrait of obsession and ego…”
“While Cronenberg’s visuals and Bruce Wagner’s dialogue left me speechless early on, the pacing and tone of the final half inspired a couple face-palms. Even so, Cronenberg has plenty to say with Maps to the Stars, and the film’s best moments are powerful.”
“Heart-warming and often hilarious, ‘Kumiko the Treasure Hunter’ reminds that individuality may take one a long way given the right conditions. Chase your treasures with confidence and be prepared.”
“By excluding grown ups from the narrative, ‘It Follows’ highlights the perseverance of young adults and their reliance on each other for a shared vision.”
“Moss highlights the personal struggles of many who find themselves re-awakened in northwestern North Dakota, and others who simply fade in and fade out.”
“Cisterne poses important questions about adolescent identity and touches on the blossoming of artistic expression in ‘Vandal,’ but the concealed fury of each character ultimately remains an enigma (along with their understanding of the real world).”
“A Hendrix biopic can be tackled in a variety of ways, but a director should either commit to gonzo audio/visual techniques or simply let the performances take over.”
“‘Big Eyes’ could have become an Oscar contender with more focus on Adams in the final act, rather than a shift towards the public bravado of Waltz’s Walter Keane.”
“Jolie didn’t make a bad movie, and ‘Unbroken’ might have even won Best Picture 20 years ago, but you can’t throw the star under the bus — especially in a biopic — and let the antagonist destroy one of the most powerful scenes.”