Review: Ang Lee’s ‘Billy Lynn’s Long Halftime Walk’
“Ultimately, Ang Lee delivers a smart war film that offers a great deal of empathy to its social actors while still remaining critical of imperialist impulses in American culture.”
CIFF Review: Andrzej Wajda’s ‘Afterimage’
“This portrait of an aging artist engages with and refuses the idea that artistic and social isolation is anything but selfish.”
London Film Festival Review: Jim Jarmusch’s ‘Paterson’
“‘Paterson’ is about that circularity of life that simultaneously brings about sparks of creativity and moments of reassuring stability.”
CIFF Review: Park Chan-wook’s ‘The Handmaiden’
“In a film that’s otherwise so devoted to giving these women the opportunity to create a new identity, ‘The Handmaiden’ can’t help but peek into their new lives.”
NYFF Review: Mike Mills’ ’20th Century Women’
“With Mills so free and acrobatic in his constructions and portrayal of the characters, coupled with excellent acting, it’s difficult not find them endearing given the wit and depth of ’20th Century Women.'”
CIFF Review: Asghar Farhadi’s ‘The Salesman’
“Farhadi’s films have sometimes been tricky for me as a Western viewer, as it’s difficult to know what’s considered conventional social perception and what’s considered political commentary. “
London Film Festival Review: Bavo Defurne’s ‘Souvenir’
“The plot of ‘Souvenir’ can certainly raise eyebrows, but it is this very absurd quality that adds to the film’s tongue-in-cheek charm.”
London Film Festival Review: Olivier Assayas’ ‘Personal Shopper’
“To say that ‘Personal Shopper’ unveils Stewart giving the best performance so far in her career is scarcely a hyperbolic claim.”
NYFF Review: Jean-Pierre and Luc Dardenne’s ‘The Unknown Girl’
New York Film Festival 2016
NYFF Review: Pablo Larraín’s ‘Neruda’
“Neruda’s shining star is Luis Gnecco, who brings the poet back to life.”
