Category: 2017

Real, All Too Real: Rakhee Sandilya’s ‘Ribbon’

“Within the context of a cinema that is high-strung and often defined by its over-the-top, spectacle-driven family dramas, ‘Ribbon’ and its smallness (and everydayness) is not just a refreshing break but an extremely well-timed breaking of the mold.”


When Hansel and Gretel Live in a Bus: Paakhi A. Tyrewala’s ‘Pahuna: The Little Visitors’

“In a country whose cinema is often just classified under the homogenous canopy of ‘Bollywood,’ a film in Sikkimese is not only a welcome change but also a political reversal of existing canons. It is a small but eventful beginning, a small step towards a more inclusive ‘Indian’ cinema.”

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