Soundtracks of Cinema: ‘Him’
‘Him’ Soundtrack: A Vague Visages guide for every song in Justin Tipping’s 2025 movie.
Review: Ian Tuason’s ‘Undertone’
“‘Undertone’ is inspired, unnerving and truly a future classic.”
An Interview with ‘Whistle’ Director Corin Hardy
‘Whistle’ Interview: Joey Keogh discusses the 2025 movie with filmmaker Corin Hardy.
Review: Corin Hardy’s ‘Whistle’
“‘Whistle’ bodes well for the future of studio horror.”
Know the Cast: ‘Mother of Flies’
‘Mother of Flies’ Cast: A Vague Visages guide for every actor and character in the Adams Family’s 2025 Shudder movie.
Review: The Adams Family’s ‘Mother of Flies’
“‘Mother of Flies’ works as both an art piece and a successful horror movie overflowing with ooey gooey and creepy-crawly ickiness.”
Know the Cast: ‘Together’
‘Together’ Cast: A Vague Visages guide for every actor and character in Michael Shanks’ 2025 movie.
Soundtracks of Cinema: ‘Gremlins’
‘Gremlins’ Soundtrack: A Vague Visages guide for every song in Joe Dante’s 1984 movie.
Know the Cast: ‘Him’
‘Him’ Cast: A Vague Visages guide for every actor and character in Justin Tipping’s 2025 movie.
Know the Cast: ‘Gremlins’
‘Gremlins’ Cast: A Vague Visages guide for every actor and character in Joe Dante’s 1984 movie.
Hail ‘Krampus’: 10 Years of Michael Dougherty’s Festive Favorite
“‘Krampus’ is an outlier when it comes to festive horror and, in the decade since the movie’s release, nothing has threatened its throne.”
Know the Cast: ‘Death of a Unicorn’
‘Death of a Unicorn’ Cast: A Vague Visages guide for every actor and character in Alex Scharfman’s 2025 movie.
Soundtracks of Cinema: ‘Death of a Unicorn’
‘Death of a Unicorn’ Soundtrack: A Vague Visages guide for every song in Alex Scharfman’s 2025 movie.
Review: Christopher Smith’s ‘Consecration’
“‘Consecration’ is a disjointed affair with sparks of interest scattered throughout that nonetheless ends up as a middling entry into the newly popular religious horror sub-genre.”
Review: Thordur Palsson’s ‘The Damned’
“‘The Damned’ is a cerebral film that should be analyzed in film theory courses.”