Know the Cast: ‘Mission: Impossible II’
‘Mission: Impossible II’ Cast: A Vague Visages guide for every actor and character in John Woo’s 2000 movie.
‘Mission: Impossible II’ Cast: A Vague Visages guide for every actor and character in John Woo’s 2000 movie.
‘The Bourne’ Identity Cast: A Vague Visages guide for every actor and character in Doug Liman’s 2002 movie.
‘The Final Destination’ Cast: A Vague Visages guide for every actor and character in David R. Ellis’ 2009 movie.
‘Gladiator’ Cast: A Vague Visages guide for every actor and character in Ridley Scott’s 2000 movie.
’28 Days Later’ Cast: A Vague Visages guide for every actor and character in Danny Boyle’s 2002 movie.
“Nolan’s radical approach with ‘Batman Begins’ forever changed multimedia synergy and the very nature of action films.”
‘Final Destination 3’ Cast: A Vague Visages guide for every actor and character in James Wong’s 2006 movie.
‘Final Destination 3’ Soundtrack: A Vague Visages guide for every song in James Wong’s 2006 movie.
‘Final Destination’ 2 Cast: A Vague Visages guide for every actor and character in the 2003 movie.
‘Final Destination’ Cast: A Vague Visages guide for every actor and character in James Wong’s 2000 movie.
‘Final Destination’ Soundtrack: A Vague Visages guide for every song in James Wong’s 2000 movie.
‘Meet the Parents’ Cast: A Vague Visages guide for every actor and character in Jay Roach’s 2000 movie.
‘Meet the Parents’ Soundtrack: A Vague Visages guide for every song in Jay Roach’s 2000 movie.
‘The Fast and the Furious’ Cast: A Vague Visages guide for every actor and character in Rob Cohen’s 2001 movie.
‘The Strangers’ Cast: A Vague Visages guide for every actor and character in Bryan Bertino’s 2008 movie.
“It’s a sense of Korean specificity that defines ‘Memories of Murder,’ which is still the best of Bong’s films.”
“In Alverson’s hands, anti-comedy becomes a new kind of gothic — it is the world viewed through a warped, sinister lens; a fresh excavation of the unspeakable through outsized comedic strategies.”
“‘Amores Perros’ is almost entirely disinterested in its central location. It feels like a film made not to speak truth to Mexican audiences, but to present a hyperreal version of Mexico for international audiences.”
“In our attempt to fill in the gaps of the Oswald character, we recast him again and again, hoping that the latest iteration will reveal a previously hidden angle.”
“‘Time and Tide’ seems to gaze both forward and backwards at once, its breaking down of editing structure creating a strange discombobulating effect.”