ABC’s Scandal and the Screwball Comedy of ‘The Last Supper’
It’s been said over and over again: all you need for laughs is a dimly lit presidential bunker, a beautiful woman and two men bickering over her.
Q.V. Hough
Q.V. (Quinn) Hough is Vague Visages’ founding editor.
A Conversation with Jake Macapagal of ‘Metro Manila’
The perks of being a Netflix junkie: sometimes you get what you ask for.
Review: Chasing Kristina Buožytė’s ‘Vanishing Waves’
Q.V. Hough on Kristina Buožytė’s ‘Vanishing Waves’
‘Nightcrawler’ and the Etiquette of Hollywood Transplants
Q.V. Hough on Nightcrawler and the Boulevard of Broken Dreams
Recap: Marry Me ‘Annicurser Me’
The weekly viewers have been in steady decline, but NBC’s Tuesday night romcom, Marry Me, seems to be headed in the right direction as NBC ordered five more episodes.
Processing the ‘Sons of Anarchy’ Shocker and Peter Weller’s Fascinating Direction
Q.V. Hough on Peter Weller’s outstanding directing of Sons of Anarchy
From The Archive: Jacques Tourneur Utilizes Physical Space for Suspense in ‘Cat People’
Q.V. Hough reviews “Cat People” – now streaming on Warner Archive Instant.
On the Psych Couch with NBC’s ‘Marry Me’
Well doctor, I don’t know.
Zachary Wigon’s ‘The Heart Machine’ Effectively Deconstructs Online Posturing
There’s no business like “know” business.
Book Review: ‘Rex’d: Welcome to Scholomance’ is the Perfect Halloween Read
A Friday night Halloween keeps everyone busy, but once the kids are done collecting the sweets, kick back and check out the exceptional novel by J.R. Reher/J.B. Skelter, Rex’d: Welcome to Scholomance.
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