The Surprise Gem of 2014: Mark Raso’s ‘Copenhagen’
Family, Truth and Romantic Agony
Q.V. Hough
Q.V. (Quinn) Hough is Vague Visages’ founding editor.
Waiting for the Inevitable: Michael M. Bilandic’s ‘Hellaware’
73 Minutes of Clichés
Sensory Deprivation and Cinema: A Chat with Kristina Buožytė and Bruno Samper of ‘Vanishing Waves’
Q.V. Hough Interviews Directors Kristina Buožytė and Bruno Samper
The Elegant Ingenuity of Sam Esmail’s ‘Comet’
It’s a mad, mad world and sometimes an excursion amongst the late Hollywood greats opens up the mind (and the heart).
The Golden Globe Nominations Revealed: QVH’s Early Film Predictions
Q.V. Hough Lists His Favorites for the January 11 Show
Papa’s Goods: The Jax Teller Survival Guide for ‘Sons of Anarchy’ Series Finale
Q.V. Hough on #TheFinalRide
Reality Unleashed in Samuel Kishi’s ‘We Are Mari Pepa’ (2013)
Q.V. Hough on Samuel Kishi’s Debut Feature
‘Sons of Anarchy’ Series Finale Preview: The Circle Keeps Spinning (SPOILERS)
Two things happened in the penultimate episode of FX’s Sons of Anarchy that speak volumes about the lead character and the overall theme of the series. All the pieces are now in place for history to repeat itself.
From The Archive: James Cagney Innovates Mischievous Smirking in ‘Lady Killer’
Q.V. Hough Reviews the 1933 Roy Del Ruth Film
From The Archive: Booze and Bad Choices in Robert Gist’s ‘An American Dream’ (1966)
Q.V. Hough on Robert Gist’s Lone Feature Film
A Most Violent Trade: Erik Matti’s ‘On the Job’
Q.V. Hough on the 2013 Cannes favorite.
Review: Francis Lawrence’s ‘The Hunger Games: Mockingjay – Part 1’
A brief moment of clarity for Jennifer Lawrence’s Katniss Everdeen (and the movie theatre audience): midway through The Hunger Games: Mockingjay – Part 1, the new rebellion leader comes to a disturbing realization after teasing her sister’s cat.
Review: Josephine Decker’s ‘Thou Wast Mild and Lovely’
Simmering with sensuality, the second feature from NYC filmmaker Josephine Decker enraptures with vivid imagery while establishing a burning fire of abstract connotations.
Review: Celia Rico Clavellino’s ‘Luisa Is Not Home’ (2012 Short Film)
The opening minutes of Celia Rico Clavellino’s Luisa Is Not Home, winner of MUBI’s Cannes Short Film Competition, reveal a couple living within the walls of routine.
Recap: Gracepoint ‘Episode 7’
The seventh episode of FOX’s Gracepoint received its first rise in viewership since the October 2nd debut, and director Ali Selim opened the action of the appropriately titled “Episode 8” with a rising camera; an investigation of the case files and docks of the coastal California town.
Review: Marina Shron’s ‘Sea Child’ (2014 Short Film)
The 11 enchanting minutes of Marina Shron’s Sea Child offer a glimpse into Colombia’s Laguna de Tota and the visceral impact it has upon a grieving adolescent. Narrated by Federica Cafferata’s Lila, she recounts the sentiments of her disenchanted father before “the lake took him back.” While Lila roams around the mountain […]
ABC’s Scandal and the Screwball Comedy of ‘The Last Supper’
It’s been said over and over again: all you need for laughs is a dimly lit presidential bunker, a beautiful woman and two men bickering over her.
A Conversation with Jake Macapagal of ‘Metro Manila’
The perks of being a Netflix junkie: sometimes you get what you ask for.
Review: Chasing Kristina Buožytė’s ‘Vanishing Waves’
Q.V. Hough on Kristina Buožytė’s ‘Vanishing Waves’
‘Nightcrawler’ and the Etiquette of Hollywood Transplants
Q.V. Hough on Nightcrawler and the Boulevard of Broken Dreams
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