“Faced with the death of its utopian hopes, the remnants of America’s counterculture split into two tendencies: the pastoral and the criminal. Its despondency was turned inwards and outwards; one side sought to build alternative structures in line with a higher authority, while the other strove to rearrange the wreckage of the existing order.”
“The cowboy is an emissary of civilisation, enduring all the hardships the elements can throw at him to create a space in which civilised values can flourish unhindered. The symbolism of the cowboy is so potent that it continues to be invoked for political gain.”
“What is perhaps most remarkable about the rise of Nirvana — and the industry’s hastily assembled appellation “alternative rock” — is the belief by many at the time that it had come from nowhere…”
“The characters in ‘Ladies and Gentlemen, the Fabulous Stains,’ ‘Smithereens’ and ‘Suburbia’ find in punk rock a convenient shorthand for authenticity, a posture which presages its eventual absorption into the very mechanisms it sets out to oppose.”
“There is little doubt that ‘Gabriel Over the White House’ was a test balloon of sorts, priming the audience for a discussion on the merits of the strongman leader, asking them what they would be willing to sacrifice in order to ameliorate the national plight.”
“What saves ‘Pity,’ and the ‘Greek Weird Wave’ as a whole, from tipping into nihilism is the humanism at its core; it is the pessimism of thwarted hopes rather than the negative drive of cynicism.”
“Just as the internet unleashed the Slenderman, it is culpable in bringing forth another seductive monster who uses this technology to warp minds and sow division…”
“The ‘Predator’ franchise is a repository of the fears that plague the powerful. The context changes, but the fear persists — the fear that the conqueror may one day become the conquered.”
“As a primer on Laing, ‘Mad to be Normal’ offers nothing substantive; there is little attempt to explicate Laing’s ideas, or to pursue how he formulated those ideas while working in Glasgow’s mental hospitals…”
“‘Dark River’ excels in the areas where Barnard has already proven herself adept: she draws stellar performances from her cast across the board, and creates a vibrant naturalism without sacrificing tone or style.”
“In straining to emulate something in the order of a traditional thriller, Katz and his team of long-time collaborators find themselves sliding perilously towards the formulaic.”
“In its absence of cynicism and surface mundanity, ‘Joe Pera Talks with You’ presents a conceit that feels genuinely daring in the context of a comic universe which prides itself on provocative fare from the likes of Tim and Eric, Dave Willis and Eric Andre.”