“The Hancock persona tapped into a uniquely British strain of malaise, which manifests itself in a fractious fatalism, a dread of impotence which finds its expression in outlandish displays of petulance, pettiness and pomposity.”
Vague Visages Short Stories #15: Only the Names Have Been Changed by D.M. Palmer (Sheffield, UK)
“Lorre brought to his strangers the psychological wounds carried by the exile.”
“Noé’s work has always been concerned with errant self-expression, what happens when we are wrenched from sensation and how we adjust to the comedown.”
“A sense of restlessness began to be addressed tentatively, and was confronted with increasing boldness as the decade progressed. Battles were being waged on multiple fronts of this unacknowledged war, claims were being sought from historically neglected constituents.”
“Faced with the death of its utopian hopes, the remnants of America’s counterculture split into two tendencies: the pastoral and the criminal. Its despondency was turned inwards and outwards; one side sought to build alternative structures in line with a higher authority, while the other strove to rearrange the wreckage of the existing order.”
“The cowboy is an emissary of civilisation, enduring all the hardships the elements can throw at him to create a space in which civilised values can flourish unhindered. The symbolism of the cowboy is so potent that it continues to be invoked for political gain.”
“With the Acid Western, the genre had once again proven itself capable of assimilating new grievances and anxieties.”
“With his concern for the outsider, and his reorienting of the West’s perception in the American mind, Peckinpah helped to birth the Acid Western.”
“What is perhaps most remarkable about the rise of Nirvana — and the industry’s hastily assembled appellation “alternative rock” — is the belief by many at the time that it had come from nowhere…”
“The characters in ‘Ladies and Gentlemen, the Fabulous Stains,’ ‘Smithereens’ and ‘Suburbia’ find in punk rock a convenient shorthand for authenticity, a posture which presages its eventual absorption into the very mechanisms it sets out to oppose.”
“There is little doubt that ‘Gabriel Over the White House’ was a test balloon of sorts, priming the audience for a discussion on the merits of the strongman leader, asking them what they would be willing to sacrifice in order to ameliorate the national plight.”
Vague Visages Short Stories #13: iamdifid: by D.M. Palmer (Sheffield, UK)
“In its own histrionic way, the ‘Maniac’ cycle presages a wave of reaction that would draw its power from the patriarchal fear of dispossession.”
“What saves ‘Pity,’ and the ‘Greek Weird Wave’ as a whole, from tipping into nihilism is the humanism at its core; it is the pessimism of thwarted hopes rather than the negative drive of cynicism.”
Vague Visages Short Stories #11: Beaming by D.M. Palmer (Sheffield, UK)
“Just as the internet unleashed the Slenderman, it is culpable in bringing forth another seductive monster who uses this technology to warp minds and sow division…”
“The ‘Predator’ franchise is a repository of the fears that plague the powerful. The context changes, but the fear persists — the fear that the conqueror may one day become the conquered.”
“As a primer on Laing, ‘Mad to be Normal’ offers nothing substantive; there is little attempt to explicate Laing’s ideas, or to pursue how he formulated those ideas while working in Glasgow’s mental hospitals…”
“‘Dark River’ excels in the areas where Barnard has already proven herself adept: she draws stellar performances from her cast across the board, and creates a vibrant naturalism without sacrificing tone or style.”
