Album Review: Ty Segall ‘Freedom’s Goblin’
“These are songs that don’t feel like they’ve been corrupted by overthinking or compressed by studio gloss.”
Advertisements
Advertisements
Leslie Hatton
Less Lee Moore is a Fannibal, an animal lover, a music maven, and a horror movie junkie. She is the Editor In Chief for Popshifter, and also contributes to Rue Morgue, Everything Is Scary, and Modern Horrors.
Album Review: De Lux ‘More Disco Songs About Love’
“De Lux excels at provoking a ‘what did he just sing?’ curiosity while you’re moving back and forth to the beat.”
Album Review: Dirty Sidewalks ‘Bring Down the House Lights’
“Listening to ‘Rock & Roll (Save My Soul),’ the first track on Dirty Sidewalks’ debut album, will have a definite impact on fans of The Jesus and Mary Chain.”
Album Review: WHIMM ‘A Stare Ajar’
“This is a trio dwelling on the sharp, atonal edge of post-punk”
Album Review: Melkbelly ‘Nothing Valley’
“Melkbelly is hard to pin down; their songs flaunt a flagrant disregard for what many would consider indie rock or punk or post-punk.”
Album Review: O.R.B. ‘Naturality’
“The first two songs on ‘Naturality’ prove O.R.B.’s members have clearly got the chops to do something different with their doom-inspired template.”
Album Review: Wand ‘Plum’
“Perhaps ‘Plum’ represents the incarnation of what Wand fans didn’t know they were looking for until they heard it.”
Ty Segall Goes Acoustic at Toronto’s Night Owl Festival
“As Segall’s self-assurance increased, so did his funny banter.”
Album Review: Frankie Rose ‘Cage Tropical’
“The transformation of 1980s synth pop from a frequently mocked fad into a respectable modern genre has been glorious to behold.”
Album Review: Male Gaze ‘Miss Taken’
“Anyone who claims that most new music is terrible probably isn’t trying hard enough.”