Less Lee Moore is a Fannibal, an animal lover, a music maven, and a horror movie junkie. She is the Editor In Chief for Popshifter, and also contributes to Rue Morgue, Everything Is Scary, and Modern Horrors.
“‘The Clovehitch Killer’ offers much for the audience to ponder: what it means to be a man and a human, what it means to keep secrets and what it means to face monsters and survive.”
“Yes, Turkington does sing in the same grating timber as his alter ego, but — thanks to a top-notch back-up band — the effect is quite charming.”
“Street Sects is the kind of band that a lot of people would call ‘problematic,’ but they’re a much-needed smack in the face in a world that seems less compassionate with each passing day.”
“‘Fudge Sandwich’ is the kind of album that provides listeners with a new favorite track every day, no small feat for a collection of cover tunes.”
“‘Cam’ is an uncomfortable watch, despite its absolutely dazzling visuals and outstanding production design.”
“‘Family’ is a gorgeous looking film with framing and editing that is often exquisite. It boasts a palette of rich earth tones and vivid dark colors that are beautiful but oppressive, much like the film itself.”
“Despite its salacious subject matter — sexuality, infidelity and voyeurism — the movie contains shockingly few sex scenes, but still remains erotically charged nearly 30 years later.”
“At 30 minutes, ‘Pre Strike Sweep’ doesn’t overstay its welcome, but instead leaves its listeners looking for the “repeat” button. Don’t make the mistake of thinking GØGGS is a mere vanity project for its members; this is the real deal.”
Leslie Hatton Previews the Brooklyn Horror Film Festival 2018
Leslie Hatton Interviews Cold Cave’s Wesley Eisold
