Album Review: WHIMM ‘A Stare Ajar’
“This is a trio dwelling on the sharp, atonal edge of post-punk”
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Leslie Hatton
Less Lee Moore is a Fannibal, an animal lover, a music maven, and a horror movie junkie. She is the Editor In Chief for Popshifter, and also contributes to Rue Morgue, Everything Is Scary, and Modern Horrors.
Album Review: Melkbelly ‘Nothing Valley’
“Melkbelly is hard to pin down; their songs flaunt a flagrant disregard for what many would consider indie rock or punk or post-punk.”
Album Review: O.R.B. ‘Naturality’
“The first two songs on ‘Naturality’ prove O.R.B.’s members have clearly got the chops to do something different with their doom-inspired template.”
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“Perhaps ‘Plum’ represents the incarnation of what Wand fans didn’t know they were looking for until they heard it.”
Ty Segall Goes Acoustic at Toronto’s Night Owl Festival
“As Segall’s self-assurance increased, so did his funny banter.”
Album Review: Frankie Rose ‘Cage Tropical’
“The transformation of 1980s synth pop from a frequently mocked fad into a respectable modern genre has been glorious to behold.”
Album Review: Male Gaze ‘Miss Taken’
“Anyone who claims that most new music is terrible probably isn’t trying hard enough.”
Album Review: Dead Heavens ‘Whatever Witch You Are’
“It’s less macho than stoner rock, but more elegant than garage punk.”
Album Review: INVSN ‘The Beautiful Stories’
“INVSN may not make the music that flawed people deserve, but it’s definitely the music that we all need right now.”
Album Review: Animal Youth ‘Animal’
“There are few things more frustrating to a music critic than wanting desperately to love an album but never quite getting there.”