Less Lee Moore is a Fannibal, an animal lover, a music maven, and a horror movie junkie. She is the Editor In Chief for Popshifter, and also contributes to Rue Morgue, Everything Is Scary, and Modern Horrors.
“There’s no solace in the music of Boy Harsher, only a feeling that we are all facing the same fears and uncertainties. Yet, sometimes, that is solace enough.”
“Yes, the alien scenes in ‘Signs’ remain startling and scary 17 years later, but it’s the film’s depiction of what happens to people who lose faith that truly resonates and terrifies.”
“One of the most exciting things about smaller film festivals is the possibility of seeing the kind of movie that one might not get to see otherwise. That’s what makes Tomas Street’s ‘Fugue’ such a great discovery.”
“While not every film in this BITS shorts showcase completely hits its mark, each has something to offer. It’s refreshing to see this array of talent on display from Canadian creators.”
“‘The Clovehitch Killer’ offers much for the audience to ponder: what it means to be a man and a human, what it means to keep secrets and what it means to face monsters and survive.”
“Yes, Turkington does sing in the same grating timber as his alter ego, but — thanks to a top-notch back-up band — the effect is quite charming.”
“Street Sects is the kind of band that a lot of people would call ‘problematic,’ but they’re a much-needed smack in the face in a world that seems less compassionate with each passing day.”
“‘Fudge Sandwich’ is the kind of album that provides listeners with a new favorite track every day, no small feat for a collection of cover tunes.”
“‘Cam’ is an uncomfortable watch, despite its absolutely dazzling visuals and outstanding production design.”
“‘Family’ is a gorgeous looking film with framing and editing that is often exquisite. It boasts a palette of rich earth tones and vivid dark colors that are beautiful but oppressive, much like the film itself.”
