Album Review: The Quick ‘Mondo Deco’ Expanded Edition
“It’s hard not to listen to The Quick’s output and wonder, wistfully, what could have been.”
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Leslie Hatton
Less Lee Moore is a Fannibal, an animal lover, a music maven, and a horror movie junkie. She is the Editor In Chief for Popshifter, and also contributes to Rue Morgue, Everything Is Scary, and Modern Horrors.
The Inside Is Now the Outside: Kiyoshi Kurosawa’s ‘Cure’
“Memory and identity are inextricably linked.”
Album Review: Iceage ‘Beyondless’
“At times, ‘Beyondless’ is overwhelming in the scope of its genius, but the chord progressions that Johan Surrballe Wieth has conjured are something divine.”
Album Review: Drinks ‘Hippo Lite’
“The music of Drinks is uncategorizable, yet addictive. For those who crave something that genuinely challenges the ears, ‘Hippo Lite’ is a real find.”
Album Review: A Place to Bury Strangers ‘Pinned’
“With ‘Pinned,’ A Place to Bury Strangers shows that the band’s exploration of ‘one good idea’ continues to yield amazing results.”
Album Review: Bambara ‘Shadow on Everything’
“If David Lynch had set ‘Twin Peaks’ in rural Georgia, then Bambara could have composed the soundtrack.”
Every Fruit Has Its Secret: Ken Russell’s ‘Women in Love’
“‘Women in Love’ maintains, despite the passage of nearly 50 years, a thoroughly modern aura.”
In Conversation: Cillian Murphy from ‘Kitten’ Braden to Tommy Shelby
Leslie Hatton and Ciara Wardlow Discuss Cillian Murphy’s Career
Album Review: The Soft Moon ‘Criminal’
“While The Soft Moon has always released music that could best be described as ‘none more bleak,’ with ‘Criminal,’ there seems to be something like acceptance. Maybe that’s the bleakest timeline of all.”
Album Review: Ty Segall ‘Freedom’s Goblin’
“These are songs that don’t feel like they’ve been corrupted by overthinking or compressed by studio gloss.”