Less Lee Moore is a Fannibal, an animal lover, a music maven, and a horror movie junkie. She is the Editor In Chief for Popshifter, and also contributes to Rue Morgue, Everything Is Scary, and Modern Horrors.
“Throughout ‘Forty Knives,’ Jespersen’s voice betrays his emotions and listening to him sing often feels like sneaking peeks at his diary.”
“Even though Gloeckner recorded ‘VINE’ in her Dubuque, Iowa bedroom, there is nothing bare bones or lo-fi about it; her passion for her art is obvious and impressive.”
“Based on the music from ‘Dichotomy Desaturated,’ I’d say he’s destined for greatness.”
“While ‘Punk Shadows’ may not evoke the well-worn clichés of mohawks and safety pins, it does offer listeners a bracing dose of originality in the form of nine wildly eclectic tunes.”
“‘Total Chaos’ is that rare thing: a good idea whose final product far eclipses its original premise.”
“‘Volcano’ is overflowing with lyrics that are evocative and often alluringly nonsensical.”
“‘2016 Atomized’ is an apt title for an album full of songs that are obsessed with nuclear and romantic annihilation, each track a finely distilled blast of musical essence from The Raveonettes’ particularly heady bouquet.”
“Rare is the horror comedy that evokes laughter while also giving one the creeps.”
“‘Liquid Sky’ seems more relevant than ever.”
“By refusing to provide facile answers, ‘The Tall Man’ is, in many ways, just as much of a challenging film as ‘Martyrs.'”