Every Fruit Has Its Secret: Ken Russell’s ‘Women in Love’
“‘Women in Love’ maintains, despite the passage of nearly 50 years, a thoroughly modern aura.”
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Leslie Hatton
Less Lee Moore is a Fannibal, an animal lover, a music maven, and a horror movie junkie. She is the Editor In Chief for Popshifter, and also contributes to Rue Morgue, Everything Is Scary, and Modern Horrors.
In Conversation: Cillian Murphy from ‘Kitten’ Braden to Tommy Shelby
Leslie Hatton and Ciara Wardlow Discuss Cillian Murphy’s Career
Album Review: The Soft Moon ‘Criminal’
“While The Soft Moon has always released music that could best be described as ‘none more bleak,’ with ‘Criminal,’ there seems to be something like acceptance. Maybe that’s the bleakest timeline of all.”
Album Review: Ty Segall ‘Freedom’s Goblin’
“These are songs that don’t feel like they’ve been corrupted by overthinking or compressed by studio gloss.”
Album Review: De Lux ‘More Disco Songs About Love’
“De Lux excels at provoking a ‘what did he just sing?’ curiosity while you’re moving back and forth to the beat.”
Album Review: Dirty Sidewalks ‘Bring Down the House Lights’
“Listening to ‘Rock & Roll (Save My Soul),’ the first track on Dirty Sidewalks’ debut album, will have a definite impact on fans of The Jesus and Mary Chain.”
Album Review: WHIMM ‘A Stare Ajar’
“This is a trio dwelling on the sharp, atonal edge of post-punk”
Album Review: Melkbelly ‘Nothing Valley’
“Melkbelly is hard to pin down; their songs flaunt a flagrant disregard for what many would consider indie rock or punk or post-punk.”
Album Review: O.R.B. ‘Naturality’
“The first two songs on ‘Naturality’ prove O.R.B.’s members have clearly got the chops to do something different with their doom-inspired template.”
Album Review: Wand ‘Plum’
“Perhaps ‘Plum’ represents the incarnation of what Wand fans didn’t know they were looking for until they heard it.”