Every Fruit Has Its Secret: Ken Russell’s ‘Women in Love’
“‘Women in Love’ maintains, despite the passage of nearly 50 years, a thoroughly modern aura.”
Leslie Hatton
Less Lee Moore is a Fannibal, an animal lover, a music maven, and a horror movie junkie. She is the Editor In Chief for Popshifter, and also contributes to Rue Morgue, Everything Is Scary, and Modern Horrors.
In Conversation: Cillian Murphy from ‘Kitten’ Braden to Tommy Shelby
Leslie Hatton and Ciara Wardlow Discuss Cillian Murphy’s Career
Album Review: The Soft Moon ‘Criminal’
“While The Soft Moon has always released music that could best be described as ‘none more bleak,’ with ‘Criminal,’ there seems to be something like acceptance. Maybe that’s the bleakest timeline of all.”
Album Review: Ty Segall ‘Freedom’s Goblin’
“These are songs that don’t feel like they’ve been corrupted by overthinking or compressed by studio gloss.”
Album Review: De Lux ‘More Disco Songs About Love’
“De Lux excels at provoking a ‘what did he just sing?’ curiosity while you’re moving back and forth to the beat.”
Album Review: Dirty Sidewalks ‘Bring Down the House Lights’
“Listening to ‘Rock & Roll (Save My Soul),’ the first track on Dirty Sidewalks’ debut album, will have a definite impact on fans of The Jesus and Mary Chain.”
Album Review: WHIMM ‘A Stare Ajar’
“This is a trio dwelling on the sharp, atonal edge of post-punk”
Album Review: Melkbelly ‘Nothing Valley’
“Melkbelly is hard to pin down; their songs flaunt a flagrant disregard for what many would consider indie rock or punk or post-punk.”
Album Review: O.R.B. ‘Naturality’
“The first two songs on ‘Naturality’ prove O.R.B.’s members have clearly got the chops to do something different with their doom-inspired template.”
Album Review: Wand ‘Plum’
“Perhaps ‘Plum’ represents the incarnation of what Wand fans didn’t know they were looking for until they heard it.”
Ty Segall Goes Acoustic at Toronto’s Night Owl Festival
“As Segall’s self-assurance increased, so did his funny banter.”
Album Review: Frankie Rose ‘Cage Tropical’
“The transformation of 1980s synth pop from a frequently mocked fad into a respectable modern genre has been glorious to behold.”
Album Review: Male Gaze ‘Miss Taken’
“Anyone who claims that most new music is terrible probably isn’t trying hard enough.”
Album Review: Dead Heavens ‘Whatever Witch You Are’
“It’s less macho than stoner rock, but more elegant than garage punk.”
Album Review: INVSN ‘The Beautiful Stories’
“INVSN may not make the music that flawed people deserve, but it’s definitely the music that we all need right now.”
Album Review: Animal Youth ‘Animal’
“There are few things more frustrating to a music critic than wanting desperately to love an album but never quite getting there.”
EP Review: Ultrviolence ‘Forty Knives’
“Throughout ‘Forty Knives,’ Jespersen’s voice betrays his emotions and listening to him sing often feels like sneaking peeks at his diary.”
Album Review: Jen Gloeckner ‘VINE’
“Even though Gloeckner recorded ‘VINE’ in her Dubuque, Iowa bedroom, there is nothing bare bones or lo-fi about it; her passion for her art is obvious and impressive.”
Album Review: CFM ‘Dichotomy Desaturated’
“Based on the music from ‘Dichotomy Desaturated,’ I’d say he’s destined for greatness.”
Album Review: Blood and Glass ‘Punk Shadows’
“While ‘Punk Shadows’ may not evoke the well-worn clichés of mohawks and safety pins, it does offer listeners a bracing dose of originality in the form of nine wildly eclectic tunes.”