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Vague Visages • Wave Faces

EST. 2014 • Inspired by Nouvelle Vague Cinema & Indie Ideals • Fargo, North Dakota • qvh@vaguevisages.com

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"According to Wiazemsky, Marie’s passivity dooms her from the start. The same could be said of her economic and civil status, which in this time and this place assigns social conditions seldom surpassed. As she is put through the emotional and physical wringer, her increasing sense of being a mere object stamped with a wavering worth is mirrored by the similarly maturing path of Balthazar, the film’s tragic donkey namesake." - Jeremy Carr / The Style, Sins and Sympathies of Robert Bresson’s ‘Au hasard Balthazar’ #VagueVisages

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"Drunk or sober, she is an entertainer, comfortable center stage, breaking into an impromptu song with improvised insults and antagonistic insinuations, or holding court on illicit nocturnal sidewalks. She reacts in hearty cackles and redolent demonstrations, and she is utterly shameless, a captivating combination of arrogance and obliviousness." - Jeremy Carr / Vague Visages Is FilmStruck: Jeremy Carr on Pier Paolo Pasolini’s ‘Mamma Roma’ #VagueVisages

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My Homage to "À bout de souffle" in Hollywood, California (2012)

By Q.V. Hough on March 31, 2014 • ( Leave a comment )

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