A Beautiful Tragedy: Reimagining the Blacklist
“Even the most cynical satire is half in love with the object of its barbs; there is a part of every constrained creative that loves their shackles and will make great play of rattling them.”
“Even the most cynical satire is half in love with the object of its barbs; there is a part of every constrained creative that loves their shackles and will make great play of rattling them.”
“Just as Reed’s real-life contemporaries reflect on the revolutionary ideals of their era in ‘Reds,’ Beatty bears witness to his own, staring down a massive canvas of his contemporaries’ successes and failures, the romance of their innovations and the exclusionary nature of their excess.”
“The movie isn’t just about the way it was, the prudish hypocrisy of an earlier time, or outdated sexual mores. For all its provincialism, ‘Splendor in the Grass’ is a story for the ages.”