Review: Sophie Hyde’s ‘Good Luck to You, Leo Grande’
“Hyde’s handling of the material, confirmed by her tone and the setting, should not be condemned for something it is decidedly not.”
On ‘Animals,’ Messiness and Vulnerability
“‘Animals’ doesn’t definitively answer it’s feminist question. I’m glad it doesn’t. Rather than making a film about the merits of giving up drink or ditching the guy, Hyde navigates somewhere far more raw.”
Spectatorship and the Camera: Sophie Hyde’s ’52 Tuesdays’
“With a masterful sense of direction, ’52 Tuesdays’ triumphs by turning the camera around to create a self-reflexive and unique film.”