Mike Thorn and A.M. (Anya) Novak look back at the series entries and provide their thoughts on the newest addition.
“Kirsten Dunst deserves an apology, and a second look, from all of us.”
“Dunst remains in control of her persona, but she’s also at the mercy of Hollywood scheming.”
“Between ‘Elizabethtown,’ ‘Marie Antoinette’ and ‘Spider-Man 3,’ Dunst’s life and art begin to imitate each other.”
“Dunst’s roles from 1998 to 2002 illustrate her need to conform to studio standards of femininity, balanced with her own personal desire to stretch her wings as a performer.”