Let the Right Light In: On Escapism, Coping Mechanisms and Master Projections in Paul Thomas Anderson’s ‘The Master’ By Q.V. Hough on January 16, 2018 • ( 5 Comments ) “The processing conversation is perhaps the most telling sequence of all, as Quell submits to The Master — the Master Projection — and acknowledges his own self-deception.”
Photo Essay: ‘Campaign Trail 2016 / Bill Clinton in Fargo’ by Q.V. Hough By Q.V. Hough on September 2, 2017 • ( 3 Comments ) “Welcome to Fargo, Bill. No security, no problem.”
Vague Visages Short Stories: Bleeding and Breathing Deeply by Q.V. Hough By Q.V. Hough on August 24, 2017 Vague Visages Short Stories #7: Bleeding and Breathing Deeply by Q.V. Hough (Fargo, North Dakota)
Photo Essay: ‘Fargo-Moorhead St. Patrick’s Parade 2017’ by Q.V. Hough By Q.V. Hough on July 28, 2017 “When I moved back to Fargo, I began thinking more about visual themes, which ultimately inspired Vague Visages.”
Photo Essay: ‘Back on the Boulevard’ by Q.V. Hough By Q.V. Hough on July 24, 2017 • ( 2 Comments ) August 2016
Vague Visages Is FilmStruck: Q.V. Hough on Federico Fellini’s ‘8 1/2′ By Q.V. Hough on July 24, 2017 “The moments of realization transcend the typical viewing experience.”
Netflix from 5 to 6: Daniel Barber’s ‘The Keeping Room’ By Q.V. Hough on June 24, 2017 “There’s no blaze of glory, but rather a collective maturation. Patience is their virtue.”