“The processing conversation is perhaps the most telling sequence of all, as Quell submits to The Master — the Master Projection — and acknowledges his own self-deception.”
Vague Visages Writers on Their Favorite 2017 Releases
“At some point, you’ve got to take down the celebrity posters, or at least reassess what they represent.”
In the Vague Visages Writers’ Room on Facebook, freelancers were asked to comment about their favorite film noir moments in celebration of #Noirvember.
“Welcome to Fargo, Bill. No security, no problem.”
“With ‘Meadowland,’ Reed Morano doesn’t shy away from pain, and neither should Netflix viewers.”
Vague Visages Short Stories #7: Bleeding and Breathing Deeply by Q.V. Hough (Fargo, North Dakota)
“‘Day of Anger’ is a tightly-structured film about societal influencers and people on the fringe that need somebody in their corner.”
“For the most part, ‘Message from the King’ doesn’t mess around.”
“The harsh dialogue may not connect, but the visuals most certainly will.”
“When I moved back to Fargo, I began thinking more about visual themes, which ultimately inspired Vague Visages.”
“The moments of realization transcend the typical viewing experience.”
“‘Amar’ is passionate without being pretentious.”
“Either you love the squeaky rollercoaster or you’ve got no time for the squeaky rollercoaster. Welcome to the carnival.”
“It’s ‘The Leftovers’ minus the chainsmokers, angry locals and cryptic dialogue.”
“‘You Get Me’ is predictable and often frustrating, but the visuals leave a lasting impression.”
Vague Visages Chat Transcript
“There’s no blaze of glory, but rather a collective maturation. Patience is their virtue.”
Vague Visages Chat Transcript
“There’s plenty to appreciate in ‘Frank & Lola,’ and it’s far from a bad film. However, the story beats feel awkward and random.”