Know the Cast: ‘Late Night with the Devil’
‘Late Night with the Devil’ Cast: A Vague Visages guide for every actor and character in Cameron Cairnes and Colin Cairnes’ 2023 movie.
Review: Louise Archambault’s ‘Irena’s Vow’
“Unfortunately, it takes about 90 minutes for ‘Irena’s Vow’ to find its aesthetic and narrative groove.”
Know the Cast: ‘Bob Marley: One Love’
‘Bob Marley: One Love’ Cast: A Vague Visages guide for every actor and character in Reinaldo Marcus Green’s 2024 movie.
Know the Cast: ‘Civil War’
‘Civil War’ Cast: A Vague Visages guide for every actor and character in Alex Garland’s 2024 movie.
Know the Cast: ‘The First Omen’
‘The First Omen’ Cast: A Vague Visages guide for every actor and character in Arkasha Stevenson’s 2024 movie.
Review: Alice Rohrwacher’s ‘La Chimera’
“‘La Chimera’ will hopefully inspire movie lovers of all ages to learn more about not only Italian cinema, but also the specificities of regional (and rural) Italian culture.”
Know the Cast: ‘Scoop’
‘Scoop’ Cast: A Vague Visages guide for every actor and character in Philip Martin’s 2024 Netflix movie.
Review: Alex Garland’s ‘Civil War’
“‘Civil War’ is a lot smarter than meets the eye, and the film is far more incisive in its cultural critique than its director’s simplistic interview comments may make it seem.”
Review: Robert Lorenz’s ‘In the Land of Saints and Sinners’
“‘In the Land of Saints and Sinners’ truly sings during its quietest moments.”
Know the Cast: ‘The Tearsmith’
‘The Tearsmith’ Cast: A Vague Visages guide for every actor and character in Alessandro Genovesi’s 2024 Netflix movie.
Review: Arkasha Stevenson’s ‘The First Omen’
“What ‘The First Omen’ lacks in innovation it makes up for in boldness, pushing familiar supernatural genre tropes about the secret relationship between the Church and the Devil to ideological extremes.”
Review: George Henry Horton’s ‘Project Dorothy’
“‘Project Dorothy’ has nothing meaningful to say about the lingering AI threat to humanity.”
Review: Helena Coan’s ‘The Lie: The Murder of Grace Millane’
“Part of the film’s effectiveness lies in the iceberg-style storytelling, which respects the audience’s intelligence by showing and addressing crime scene evidence without detailing the grisly specifics.”
BFI Flare Review: Sacha Polak’s ‘Silver Haze’
“Queerness that isn’t defined by its queerness is always a green flag, but what makes ‘Silver Haze’ an enriching addition to the lesbian canon of cinema is its rugged ties to the British working class.”
Manchester Film Festival Review: Dan Pringle’s ‘Die Before You Die’
“‘Die Before You Die’ is a solid independent horror film that, in its best moments, balances effective satire with claustrophobic terror.”
Know the Cast: ‘Road House’
‘Road House’ Cast: A Vague Visages guide for every actor and character in Doug Liman’s 2024 Amazon movie.
Review: Mike Cheslik’s ‘Hundreds of Beavers’
“‘Hundreds of Beavers’ stands on its own as one of the best rollercoaster-like films of the 2020s, but there’s also potential for a silent cinema-themed series starring Tews and Graves.”
BFI Flare Review: Luke Willis’ ‘Lady Like’
“A unique sense of intimacy arguably makes ‘Lady Like’ the strongest of all the ‘RuPaul’s Drag Race’ documentaries produced so far, but that doesn’t mean it is flawless in the wider medium.”
Review: Sam H. Freeman and Ng Choon Ping’s ‘Femme’
“‘Femme’ is lean, mean, nasty, challenging, knotty, uncomfortable and disorientating — often all at once.”
Review: Joe Lawlor and Christine Molloy’s ‘Baltimore’
“Poots isn’t just good in ‘Baltimore’ — she’s breathtakingly brilliant.”