“‘The End We Start From’ falls short of being a meaningful observation on the perils of climate injustice, but the film succeeds as an embodiment of maternal commitment, largely due to Comer’s wonderfully present performance.”
“The rhythms in ‘Music’ —Â the shift from one image to the next — make sense in ways that defy obvious explanation, much like the film itself.”
“There is no one better at channelling the multi-faceted force of joy than Binoche, whose entrancing performance grounds ‘The Taste of Things’ in its gentle tragedy.”
“Stolevski’s work has air and breath to it, like someone in love with the energy of simply creating.”
“A distinctly Ghibli feel pervades ‘The Boy and the Heron,’ which more comprehensively and ambitiously connects the studio’s interests than ever before — in whimsy and poignancy, struggle and adventure, the serious and the magical.”
“‘The New Boy’ is a film of deep, mystical qualities, and I can’t wait to revisit it.”
“Not only does ‘Oppenheimer’ prove to be one the best-crafted biopics in recent memory, but it also boldly reaffirms the director’s auteur status.”
Jaime Grijalba on Santiago Festival Internacional de Cine