Landscape of Awkwardness: On Maren Ade’s ‘Toni Erdmann’
“‘Toni Erdmann’ understands what’s at stake: not the private destiny of an individual, but her ongoing relationship to her era.”
Why Criticism: Defining New Cinema at FNC 2016
“In search of new worlds and experiences, this year’s FNC has been a journey from the physical world to the metaphysical.”
Fantastic Fest 2016: Cannibalism and Competition – On ‘Toni Erdmann’ and ‘Raw’
“At Fantastic Fest, that hard truth can be funny or frightening depending on which auditorium you enter.”