IFFR 2019: An Interview with ‘We’re All Sailors’ Filmmaker Miguel Ángel Moulet and Cinematographer Camilo Soratti
Yoana Pavlova Interviews ‘We’re All Sailors’ Filmmaker Miguel Ángel Moulet and Cinematographer Camilo Soratti
‘Zama’: Lucrecia Martel Gets Delirious
“Liminality is the coin of Martel’s realm in ‘Zama,’ and she manages to make the excruciating uncertainty of the long pause an engrossing experience for the audience…”
Diary of a Vagabond: João Dumans and Affonso Uchoa’s ‘Araby’
“Uchoa and Dumans’ distanced, matter-of-fact portrayal of their vagabond renders ‘Araby’ an elusive and open film. It’s particulars aren’t always announced, because — as with Bresson — the text ask viewers to meet it where it stands.”
Framing the Breakdown: Visual Psychosis in Lucrecia Martel’s ‘The Headless Woman’
“Martel’s film is an absolute masterpiece in visual symbolism and deserves to be seen on that basis alone.”
TIFF 2017 Review: Lucrecia Martel’s ‘Zama’
“‘Zama’ is the kind of historical film that refuses to concede even the smallest positivity to the history in question.”