Review: Geoffrey Orthwein and Andrew Sullivan’s ‘Bokeh’
“It’s ‘The Leftovers’ minus the chainsmokers, angry locals and cryptic dialogue.”
“It’s ‘The Leftovers’ minus the chainsmokers, angry locals and cryptic dialogue.”
“In many ways, it’s like watching the Olympics. You may not understand every event or even grasp the differences between the best in the world or last place, but you respect the talent behind it.”
A Column by Dylan Moses Griffin
“The documentary suggests that the makers of Saturday Night Live, in all likelihood, probably don’t have contempt for their audience. It’s harder to say that’s the case for the team behind Live from New York!”
“As a piece of sweeping populist entertainment, The Martian is a great success, despite a couple of issues that perturb throughout.”
“Heller draws a refreshing beauty from her “this is what it is” approach in The Diary of a Teenage Girl, getting tenderness out of content too often used simply to titillate, shock or be used for didactic tirades.”
An Essay by Kyle Turner