Of Love and Other Demons: The Toxic Masculinity of Michael Cimino’s ‘Year of the Dragon’
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Currently being honoured with a retrospective at the RIDM, Andersen’s cool and measured voice emerges as a through-line in his career.”
“My Love, Don’t Cross That River, a documentary about a Korean couple who have been together for 75 years, achieves cinema’s full potential as a medium of poetry.”
RIDM 2015: “As diversity takes centre stage, In Jackson Heights demonstrates the importance of local governments and organizations in building a healthy community.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Festival du Nouveau Cinema 2015 (Interview by Justine A. Smith, Video by Francisco Peres)
“The film reveals the importance of communication in love, but perhaps even more, the importance of empathy and understanding.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Creating something beyond just an experience of mood and sensuality, Zia Anger offers a film that is consistently engaging and fun.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“The style of 88:88 has been compared to Jean-Luc Godard, specifically his recent projects like Film Socialisme (2010) and Adieu au langage (2014). What sets this film apart from Godard is an intimacy approaching a breach of privacy.”
“La vallée is not an entirely successful film, largely because of its limp energy and problematic ideological frameworks. It is, however, intensely bizarre and a fascinating portrait of a particular time and place.”
“Masculinity has been the love-theme of this year’s edition of Locarno, and Chevalier further indulges in the dank impulses and fragility of the male ego.”