Review: Pascal Plante’s ‘Red Rooms’
“Perhaps Plante wasn’t sure how to end ‘Red Rooms’ without veering into sensationalism, which is commendable, but it doesn’t solve the problem of crafting an intriguing reason for why Kelly-Anne is so driven.”
Crime Scene #9: ‘Red Rooms’ and the Iciness of Social Isolation
“‘Red Rooms’ provides a perfect recipe for isolation and alienation, encouraged by a media world around us that seeks only to capture attention and never thoughts.”