The Feminine Grotesque #7: She’s a Loaded Gun – On ‘The Last Seduction’
A Series by Angelica Jade Bastién
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Channeling Chekhov and Cassavetes: Chris Messina’s ‘Alex of Venice’
“From the fluid cinematography of Doug Emmett to Mary Elizabeth Winstead’s obvious transition into an undeniable star, the directorial debut of Chris Messina, Alex of Venice, contains a natural honesty that simply feels right.”