Review: Dan Trachtenberg’s ’10 Cloverfield Lane’
“True to form, the narrative beats of 10 Cloverfield Lane do unspool more than progress, but the difference is that they’re always based in character.”
Review: Riley Stearns’ ‘Faults’
“Surprisingly, director Stearns spends little time navigating the physical world of ‘Faults’; he takes a minimalist approach and produces a game of psychological chess.”