We Failed This Film: Pete Travis and Alex Garland’s ‘Dredd’ (2012)
A Series by Dylan Moses Griffin
His Blazing Automatics: Does ‘Hardcore Henry’ Revolutionize the Cinematic Action Hero?
A Column on Action Films by Dylan Moses Griffin
His Blazing Automatics: Please Give Us More Gina Carano Action Films
A Column on Action Films by Dylan Moses Griffin
DMG’s Jeff Nichols RetroSpecial: ‘Shotgun Stories’ (2007)
A Jeff Nichols Retrospective by Dylan Moses Griffin
His Blazing Automatics: 2016 Is the Year of Keanu Reeves
“Don’t call it a comeback, call it a Reeves-urrection.”
Dylan Moses Griffin’s Top 10 Films of 2015
Dylan Moses Griffin has been a cinephile for as long as he can remember. His favorite film is Taxi Driver, and he reads the works of Roger Ebert like it’s scripture. If you want, he will talk to you for 30 minutes about the chronologically weird/amazing Fast and […]
The Book of Job: The Leftovers ‘No Room at the Inn’ (Recap)
“With The Leftovers being a show about faith and hope, and the desperation in holding onto such ideals, Matt deems Mary’s relapse into a comatose state as a test of his faith.”
Recap: The Leftovers ‘Off Ramp’ (Who Wants a Hug?)
“On The Leftovers, returning to your old self isn’t as easy as going from Point A to Point B, it’s a constant struggle and effort.”
His Blazing Automatics: The Communicative Filmmaking of Cornel Wilde’s ‘The Naked Prey’
A Column by Dylan Moses Griffin
We Failed This Film: Joe Carnahan’s ‘The Grey’
A Series by Dylan Moses Griffin
True Detective ‘Black Maps and Hotel Rooms’ (A Vague Visages Staff Recap)
A Conversation Between Vague Visages’ Q.V. Hough, Dylan Moses Griffin and Max Bledstein
True Detective ‘Black Maps and Motel Rooms’ (A Vague Visages Staff Precap)
A Conversation Between Vague Visages’ Q.V. Hough, Dylan Moses Griffin and Max Bledstein
Blue Balls in Your Heart: True Detective ‘Church in Ruins’ (A Vague Visages Staff Precap)
A Conversation Between Vague Visages’ Q.V. Hough, Dylan Moses Griffin and Max Bledstein
His Blazing Automatics: The Cinematic Connection of Chan-wook Park’s ‘Oldboy’ and Kihachi Okamoto’s ‘The Sword of Doom’
A Column by Dylan Moses Griffin
A Vague Visages Colloquy: True Detective ‘Down Will Come’
A Conversation Between Q.V. Hough, Dylan Moses Griffin and Max Bledstein
We Failed This Film: Andrew Dominik’s ‘The Assassination of Jesse James by the Coward Robert Ford’
We Failed This Film is a series about various films that simply didn’t get the love that they deserved upon initial release.
You must be logged in to post a comment.