Danse Macabre: Luca Guadagnino Reimagines ‘Suspiria’
“Patient blood aficianados who stick with the filmmaker to the final reel will most certainly receive their crimson reward.”
Lights, Dance, Death: Body Movements and Color in Dario Argento’s ‘Suspiria’
“Dario Argento’s ‘Suspiria’ contorts the abjection of horror through a kaleidoscope of popping color.”
London Film Festival 2018 Review: Luca Guadagnino’s ‘Suspiria’
“A swirling, tumbling vision of Cold War paranoia and coven politics, ‘Suspiria’ will both astound and baffle; the conflict that defines its muted streets, full of uneasy dreams and restless feet, will come to bear on its audience and their nightmares.”
Arrow Video FrightFest Review: Ezequiel Endelman and Leandro Montejano’s ‘Crystal Eyes’
“A loving tribute to the days of switchblades and shoulder pads, ‘Crystal Eyes’ gives credence to the giallo genre through its tongue-in-cheek absurdity and commitment to the transitory styles that defined its later years.”
Seeing the Giallo Truth in Dario Argento’s ‘Four Flies on Grey Velvet’
“Above all, Argento is a visual and aural stylist, and the style that would carry him into his later films deepens here, with flourishes of freewheeling experimentation.”
The Digital Perverse: Dario Argento’s ‘Dracula 3D’
“This filmmaker’s oeuvre has never been a showcase of ‘good taste’ or conventional demonstrations in character/story development, so why should we expect him to play by the rules now?”
The Haunted House Heartbeat in Dario Argento’s ‘Inferno’
“Argento builds upon his work in ‘Suspiria’ to create an unnerving, discomfiting experience.”
The Aural Horrors of Dario Argento’s ‘Suspiria’
“Can hearing something be scarier than seeing something?”
Stranger With My Face Festival 2016: ‘Evolution’ and ‘The Love Witch’
“Horror and femininity run hand in hand.”
SANFIC 11: Kill (f)or Love: Hou Hsiao-Hsien’s ‘The Assassin’
Jaime Grijalba on Santiago Festival Internacional de Cine