Review: Debra Granik’s ‘Leave No Trace’
“‘Leave No Trace’ finds its tension in the growing gap between father and daughter as Tom’s worldview widens while Will’s closes in.”
Redemptive Criminality in David Mackenzie’s ‘Hell or High Water’
“The grey hue of ‘Hell or High Water’ becomes more distinguishable when juxtaposed to films with plots that are more clearly black or white.”
Fantasia Fest 2016 (Video): Justine Peres Smith Interviews Adam Nimoy, Director of ‘For the Love of Spock’
Fantasia International Film Festival 2016: Justine A. Smith Interviews Adam Nimoy
His Blazing Automatics: You and Me and the Devil Makes Three – The Religious Allegory of Craig Zobel’s ‘Z for Zachariah’
A Weekly Column by Dylan Moses Griffin