“For those suffering from the same dissatisfactions depicted in ‘Touki Bouki’ and ‘Taipei Story’ — be they based on economics, vocation, familial and romantic relations or a broad national uncertainty — hope may be all there is. And that, at least, is something.”
“With ‘Serpico,’ Lumet becomes a defining chronicler of American institutional corruption, most obviously within the justice system.”
“‘Don’t Look Now’ stands as one of the best iterations of the giallo film. It takes the best elements of the commercialized Italian psycho-thriller and presents them with a Hitchcockian flair.”
“For a filmmaker usually so concerned with the social causes of injustice, ‘The Offence’ is remarkably focused on the troubled psychology of its central character.”
“Just like his protagonists, D’Antoni refused to play by the rules, and he got results.”
Vague Visages Is FilmStruck: A Column Devoted to the Streaming Platform FilmStruck
“The cumulative effect of ‘Alice Doesn’t Live Here Anymore’ is one of openness and warmth.”
“With ‘Raging Bull’ and ‘The Aviator,’ Martin Scorsese perfects a configuration of the biopic as self-recognized fiction.”
A Justine A. Smith Series on Montreal’s Cinémathèque Québécoise
“As a whole, ‘Fantastic Planet’ works both as fascinating relic and singular cinematic experience, thick with psychedelic riches for the eyes and ears.”