Rogue Cops, Rogue Cars: The Films of Philip D’Antoni
“Just like his protagonists, D’Antoni refused to play by the rules, and he got results.”
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Vague Visages Is FilmStruck: Jeremy Carr on Carlos Saura’s ‘Cría cuervos’
Vague Visages Is FilmStruck: A Column Devoted to the Streaming Platform FilmStruck
Toxic Masculinity and Empathetic Comedy: Martin Scorsese’s ‘Alice Doesn’t Live Here Anymore’
“The cumulative effect of ‘Alice Doesn’t Live Here Anymore’ is one of openness and warmth.”
The Way of the Future: The Connections Between Martin Scorsese’s ‘Raging Bull’ and ‘The Aviator’
“With ‘Raging Bull’ and ‘The Aviator,’ Martin Scorsese perfects a configuration of the biopic as self-recognized fiction.”
At the Cinémathèque: Is ‘Kamouraska’ Better Than ‘Mon oncle Antoine’?
A Justine A. Smith Series on Montreal’s Cinémathèque Québécoise
Bestiary of the Mind: René Laloux’s ‘Fantastic Planet’
“As a whole, ‘Fantastic Planet’ works both as fascinating relic and singular cinematic experience, thick with psychedelic riches for the eyes and ears.”
Recap: Vinyl ‘Pilot’
“Trying to divine the future of a series from its pilot is a fool’s errand, and even more so when so much of the show’s appeal as yet rests in the ‘in nomini patris, et filis, et cinema sancta amen’ passion of its director, the cinema’s most charismatic priest.”