Moments of Paradise: Intimacy and Place in Derek Jarman’s Home Movies
“Jarman extended the logic of the home movie beyond production into exhibition, keeping his films mutable and deeply tied to a social and spatial context.”
The Perennial Schmuck: Elaine May’s Disappointing Men
“May was banished at a time when male auteurs were granted an unprecedented amount of latitude. She was treated as a liability rather than a maverick, and it’s difficult not to read that assessment as gendered.”
Feeling Like a Winner: Elliott Gould’s Hollywood Hot Streak
“Gould’s persona upended traditional notions of cinematic masculinity in its appeal to a generational fatigue and ambivalence; his sexual magnetism eschewed the amatory codes of the traditional leading man.”